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Pre-Order Play Dead!



Are you ready to play…dead? I’m pleased to announce that you can now preorder my next novel, PLAY DEAD, at Shocklines.com ($27, signed) and ProjectPulp.com ($25.59) and get the book delivered to you piping hot off the press when it’s published this August.

Note: pre-orders from these online bookstores are for the trade hardcover edition, not the special limited “Grimoire” collector’s edition (which likely be priced over $100 and probably sell out fast to collectors after its announcement). PLAY DEAD will also be available on publication through amazon.com, Barnes and Noble, booksamillion.com and directly from the publisher.

If you want to place an order at your local bookstore, here are the publishing details:


PLAY DEAD by Michael A. Arnzen. Raw Dog Screaming Press. ISBN 1-933293-04-7, trade hardcover, 280 pages, $27.00, August 2005.

For more information about PLAY DEAD, visit the publisher’s website.

Why preorder? You’ll be first to get the book. And you’ll send a message to booksellers and distributors about reader demand, which will persuade them to order copies and keep it in stock. Thanks for your support! — Mike A.


  



PlayDead Cover Concept


“With PLAY DEAD, Arnzen has created a masterpiece of eloquent depravity. It features all of the sins of Vegas, slathering on heaping portions of insane greed, savage sex, irredeemable blasphemy, and skull-crunching violence. You’ll get sucked in on the first page, and won’t put the book down until you reach the breathless finale. Arnzen writes like someone has a shotgun to his head, and Mike might be the one pulling the trigger…” JA Konrath, author of BLOODY MARY


“PLAY DEAD reads like white lightning. The wonderfully grungy characters and staccato-fast chapters grab you by the face, haul you in, and won’t let go, while the richly metaphoric style begs for savoring on every page. Arnzen wears a wry gaming grin even as he reminds us the universe is little more than a horrorshow comprised of pure plain chance. This terrific (in all senses of the word) novel hits the ground running and just won’t stop.” Lance Olsen, author of 10:01



Playing Dead Cards

Sample Card Images from PLAY DEAD collector's deck

My next novel, PLAY DEAD, is being published in a collector’s edition that will not only have a “sculpted” cover but also include an actual pack of playing cards — all with original artist renderings in the spirit of the book. My publisher (Raw Dog Screaming Press) provided this sneak preview of a few of them (yes, the digits are on the wrong side…this is just a draft to give you an idea of what they’ll look like). Cool, no? If all goes well, this deck might even be available in time for World Horror Convention in NYC this April, where my publisher is sponsoring a Charity Poker Tournament (I’m playing for the charity, in2books.org).

Read the press release about the game.



about-dot-horror

Staci Wilson’s neat interview — “The Same 10 Questions I Always Ask — with Michael Arnzen” just went live on about.com‘s horror page. They’ve also got a “Book Look at 100 Jolts” worth checking out.



CONTEST: Mash Your Own Monsters

To celebrate the 3rd Volume of the The Goreletter (launched today), I’m hosting a new contest. You must subscribe to the e-mail newsletter edition of The Goreletter to participate. No big whoop…give it a try!

Invent a wacky Monster Mash, based on characters from actual horror films — not books or videogames. (For an example, read the latest issue’s Blather). Give it a title and a slugline…even include a brief summary of the plot, if you like (keep it under 50 words please). Send only one. I’ll publish all submissions in the next issue of The Goreletter — and give my top two favorites (subjectively chosen) free prizes!

Top prize: a $10 BitPass gift card, a signed cover flat from Grave Markings (1994) and an autographed copy of Fluid Mosaic or Gorelets (your choice).
2nd Place: a $5 BitPass gift card and a signed cover flat from Grave Markings (1994)
3rd Place: a $3 BitPass gift card

A “bitpass” is a micropayment gift certificate. See The Sickolodeon for more information or visit BitPass.com

Send your entry to arnzen@gorelets.com with the subject line “MY MASH” by Midnight, April 1st. You must be a subscriber to the newsletter edition of The Goreletter to win. Late arrivals may be published, but ineligible for prizes. I’ll announce winners in the next issue of The Goreletter (and here on the weblog)!

– Michael Arnzen



He’s Scratching at Your Window

“We look at death through the cheap-glazed windows of the flesh, and believe him the monster which the flawed and cracked glass represents him.”
– James Russell Lowell (died 1891)



Mashing the Monsters

Freddy vs. Jason was just the tip of the blade. Today’s horror movie audiences are going to be stabbed in the eyes again and again with new mix-and-match horror icon flicks like Alien vs. Predator or Van Helsing until the genre gets smart again.

I don’t mind a good monster mash, but the stuff I’m seeing on the screen lately is more like a boxing match than a graveyard bash. These types of stories are nothing new — in fact, they’re almost a hundred years old. After the 1930s, Hollywood was smart to capitalize on the success of Universal Studios’ Dracula and Frankenstein very early in the game, culminating in such campy hits as House of Dracula, or Abbott and Costello meet Frankenstein. Back then, too, they were smart enough to know the story was irrelevant and that the whole affair was a glorified conceit — they typically went for the laughs rather than any pretense toward seriousness. And while it’s true that today’s monster mash is still nothing more than an excuse to return some famously fun monsters to the big screen, I think they’re making a huge mistake by taking the “vs.” in their titles way too seriously and packaging them as some sort of combat film. You get the sense watching these pictures that the special effects crew is still playing with army men when they’re not programming CGI.

Hollywood movies try to maximize their profits, so they tend to blur genres together to get as many different audience personalities into the theater as possible. Every big studio production is a sort of “mash” in its own right. This explains why a movie like Van Helsing comes across as an action/mystery/adventure/horror/love story for kids (though it doesn’t necessarily explain why the writing was so bad). But a real monster mash is a genre film tried and true because it appeals exclusively to a genre-savvy audience who knows these characters well.

Besides, as a film genre, horror is more than a century old and there’s plenty of material out there they could put to better use than, say, the Predator, which, while a good commando flick, was merely an Arnold Schwarzenegger vehicle and not a famous monster horror movie by any measure. There are lots of monster mashes I’d like to see. Some of them could even make good comedy stories. For example, just off the top of my head…

Regan (The Exorcist) vs. Damien (The Omen)
It’s evil against evil when the antichrist incarnate battles the rebellious demon Pazuzu. The day care center would never be the same.

Hannibal Lector vs. The Mummy
Is mummy meat too dry or is it simply cured? And how will Lector match his literary wit with a creature who speaks only in grunts and hieroglyphics?

The Hand vs. Thing Addams
An arm wrestling match unlike any you’ve ever seen. I can see the final shot now: one of them, popping up from out of a grave. But which one is it?

Chucky (Child’s Play) vs. Fats (Magic)
Some ungodly is bound to happen when these two smart alecks are in the same room: Who’s the dummy now, big boy?

Young Frankenstein Meets Dracula, Dead and Loving It
Watch good horror comedy battle bad in this opaque attempt to resurrect Mel Brooks’ career.

The Green Slime vs. The Blob
Hot gelatin on gelatin action! Let’s see, red plus green equals…um…viscous terror!

Norman Bates vs. Norman Bates
Watch Anthony Perkins try to slice Vince Vaughn trying to slice Anthony Perkins. Schizo slashers in the shower!

Okay, so I can only think of silly examples, but that’s what monster mashes should be: silly fun. They’re charming in the nostaglic way that old friends are, even if they’re dripping with evil. A good monster mash reminds us of what we love about the movies of the past, not what we dig about the technologies and fixations of the present. And they’re ultimately about the characters, not the big screen fireworks. Bring them back from the dead with some decency, Hollywood!

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