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Bizarro Alert: Borderline France

Cover art for borderline-013

Hot on the heels of Skull Fragments, comes another appearance in France. Borderline magazine has just published Jerome Charlet’s French translation of my short-short, “The Cow Cafe” (Au Vachement d’Cafe) in their 13th issue.

Of import: this issue is focused primarily on the BIZARRO genre, and includes translations of work by such over-the-top and outre writers as Jeremy R. Johnson, Kevin Donihe, Andersen Prunty, Jeremy Shipp, Carlos Gardini, artist Maxime LeDain, and an interview with horror writer Kealan Patrick Burke. Good to see the ‘bizarros’ getting the international attention they deserve.

The cover is wildly suggestive and weird.



The Writer’s Workshop of Horror

WWOH-1

Learn from 30 terrifying masters


I’m pleased to appear in this brand new book of advice for those who want to improve their horror fiction, called order The Writer’s Workshop of Horror (ed. Michael Knost, Woodland Press, Aug 2009). It’s focused exclusively and deeply on the craft of scary storytelling, with a stellar line-up of contributors that include the likes of Clive Barker, Joe Lansdale, F. Paul Wilson, Ramsey Campbell, Brian Keene, Elizabeth Massie, and too many more to list:  from grand masters to rising stars, the book is a treasury of wisdom you’d be hard pressed to find elsewhere.  If the (also fantastic) Horror Writer’s Association guidebook, On Writing Horror, was your introductory course, consider this one your senior year textbook.

You can now order The Writer’s Workshop of Horror early from Woodland Press for just $21.95 and you’ll be among the first to get it in August.

Here’s a small excerpt from my contribution, called “Stripping Away the Mask: Scene and Structure in Horror Fiction”:

…horror is a striptease of suspense.  It is an inherently exhibitionist genre, as much as it is the genre of fear.  And this may very well be why horror gets a bum rap from the literati:  horror can make a reader feel dirty, because it refuses to obey the inner censor that tells us that such-and-such is morally wrong, that such-and-such is ugly or grotesque, that such-and-such is perverse or unhealthy, that such-and-such is unreasonable or irrational, that such-and-such is dangerous or inhumane.  Horror writers seek truth in the darkness.  They remove the mask, to peer unabashedly at what it hides, horrendous warts and all….

If you wish to write horror stories, it is imperative that you understand this aesthetic.  There are no “rules,” really, because readers only expect the unexpected when they pick up a work of horror.  In place of rules, we just have a worldview that says:  “Readers peek between their fingers.  I refuse to look away.”  We remove the mask.

Visit Woodland Press for more on this exciting guidebook to working on the dark side.



2008 Bram Stoker Awards Announced

This press release just came in, hot off the ether:

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Horror Writers Association celebrates 2008 Stoker winners

At long last, the anticipation is over. The Horror Writers Association has announced the winners of the 2008 Bram Stoker Awards at its annual Stoker Banquet held tonight as part of the Stoker Awards Weekend held in Burbank, California.  Nine new bronze haunted-house statuettes were handed over to the writers responsible for creating superior works of horror last year. This year’s winners are:

Superior Achievement in a NOVEL

DUMA KEY by Stephen King (Scribner)

Superior Achievement in a FIRST NOVEL

THE GENTLING BOX by Lisa Mannetti (Dark Hart Press)

Superior Achievement in LONG FICTION

MIRANDA by John R. Little (Bad Moon Books)

Superior Achievement in SHORT FICTION

“The Lost” by Sarah Langan (Cemetery Dance chapbook)

Superior Achievement in an ANTHOLOGY

UNSPEAKABLE HORROR edited by Vince A. Liaguno and Chad Helder (Dark Scribe Press)

Superior Achievement in a COLLECTION

JUST AFTER SUNSET by Stephen King (Scribner)

Superior Achievement in NONFICTION

A HALLOWE’EN ANTHOLOGY by Lisa Morton (McFarland)

Superior Achievement in POETRY

THE NIGHTMARE COLLECTION by Bruce Boston (Dark Regions Press)

Works can be recommended by any member of the HWA. Members with Active status then vote works onto a preliminary ballot. From there the field is narrowed to the final ballot and Active members choose the winners from that. The award is named for Bram Stoker, best known as the author of Dracula. The trophy, which resembles a miniature haunted house, was designed by author Harlan Ellison and sculptor Steven Kirk.

HWA also presented its annual Lifetime Achievement Awards and its Specialty Press Award. F. Paul Wilson and Chelsea Quinn Yarbro, who both received Lifetime Achievement Awards this year, were on hand to accept. The Specialty Press Award went to Larry Roberts of Bloodletting Press.  The Silver Hammer Award, for outstanding service to HWA, was voted by the organization’s board of trustees to Sephera Giron. The President’s Richard Laymon Service Award was given to John R. Little.

Lisa Morton, who organized this year’s event with John R. Little, commented on the location chosen for this year’s event: “It was nice to come home again to Burbank (where the event was held in 2005). It gave us a chance to emphasize more business and film opportunities for our members this year, and hopefully even gave a little extra glitz to the awards banquet.”

For more information, visit www.horror.org.

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Also see the complete final ballot on the HWA weblog, if you’re compiling your 0wn “best horror stories of the year” reading list.

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Teachers of Terror Take Note

Dissections: The Journal of Contemporary Horror just released their May 2009 special issue on “issues of teaching the horror genre in the classroom.”  Sure, I’m in there with a discussion of “learning objectives” in a horror course, but with essays like Doug Ford‘s “The Sublime Trials of Jack Ketchum: Teaching ‘The Girl Next Door’ in the Era of Torture P**n” and poems about classic movie actors by Bryan Dietrich, you know you’re getting something as fascinating as it is educational.

Dissections: The Journal of Contemporary Horror

Dissections: The Journal of Contemporary Horror



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Goreletter 5.04 Mailed

The Goreletter Vol. 5, #4 was e-mailed to subscribers on 14 June 2009 @ 4am est. It contains extra material not available here on the weblog version, including exclusive discounts on several horrifying goodies!

Note: the subtitle for this issue was dropped from the mailing’s subject line. It is titled “The Goreletter 5.04: Black Saabath”.  This was the 40th issue of the newsletter, publishing free since 2002. The next issue will begin Volume 6.

If you subscribe and did not receive this issue, e-mail me for a replacement or review the archives at gorelets.com.

Subscribe today…it’s free and you can always unsubscribe if it terrorizes you too much. Issues are mailed only a few times per year, so your inbox won’t suffocate.

– Michael A. Arnzen

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