return to front page of gorelets.com weblog                                                                                  

Subscribe to The Goreletter!

The Goreletter is a free e-mail newsletter rich in strange microfiction, offbeat humor, horror poetry, surprises, and tiny oddities. Recipient of the Bram Stoker Award!

Recent Comments:

    AdrienneJ: (4) I was bored by the TV mini-series. Still am.) Come on, how could anything with Molly Ringwald in it be...


    Liz Bennefeld: I did get your reading uploaded to the Halloween Poetry Reading page, just now. Delightful! Thanks so...


    Rich Ristow: Giving mass delusion the old college try, but I’m doubting it meets the full parameters of the...


    Ellen Spain: The Ohio State U workshop looked great. I’ll see you at the Zombie Fest at the Monroeville Mall....


    W. D. Prescott: Wow, i really wish I could make it to the Ohio State panel. Though, hopefully, I will be making it it...


    Scott Bradley: Such a great list, Mr. Arnzen, sir! And SO GLAD you posted it for the world to enjoy! Thanks again for...


    Jason: Rowdy Roddy? Hell yeah, I’m jealous. Looked like it was a lot of fun.


    Ana: I would love to go to the Horrorfest and Zombiefest, but I live so, so far away. I would also love to meet all...


Departments

Search this Blog

Recently Posted in The Popular Uncanny...

Latest in the Gallery...

Latest on MySpace...


 



Notes from Horror 101

I just finished teaching a wonderful “Horror & Suspense Writing” course at Seton Hill University. Under my office door last week, I found a slip of paper from an anonymous student, who was writing down the weirdest of the wacky things that came out of my mouth during lectures and discussions. Here’s a select few snippets of profound wisdom:

On point-of view in horror fiction:
“You shouldn’t be writing in First Person Singular all the time…instead, try writing in First Monster Singular.”

Responding to a question about sexual perversion in horror fiction:
“What do you mean?  Necrophilia is the safest of sexes.”

On ghosts and the supernatural:
“There are no friendly ghosts in horror. Try running off with Casper to his friendly place and it won’t be long before he turns around and eats you.”

When arriving late during a snowy day:
“I had so much snow in my shoes today, I almost fell down three flights of stairs, which would have been bad for the metal plate in my head.”

On genre:
“Horror and fantasy have a lot in common, but you know horror when you see it. If your story starts out with unicorns and fairies having sex, that’s not horror, but it’s still pretty scary.”

On conflict:
“Characters shouldn’t whine, ‘oh, wah, I hate my life.’ Try ‘I hate my job, I hate my mother, and, oh yeah, I have a knife in my belly, too.’ Your protagonist needs to be in agony.”

On word roots:
Agony and aggravate have nothing to do with agriculture.”

On the psychology of horror:
“Horror fiction is about looking at yourself after you hack a person to pieces…and your brain is thinking ‘Gee, I still want that pickle.’”

If you somehow expected this entry to have actual advice, I recommend you go pick up a copy of the textbook we used this semester:  On Writing Horror 2nd Edition, edited by Mort Castle

[This class was a lot of fun.  At the end of the term, we had a writing contest with the grand prize of a pinata that my wife made in homage to Edvard Munch’s “The Scream.”  You can find a photo of this in the brand spanking new online gallery at gorelets.com.


Comments

Comment from Fran Friel
Posted: May 17, 2008, 10:49 am

Mike,

I’ve said it elsewhere, but where the heck were you when I was in college?? I think it’s time for me to go back…as long as I can be in your class!

And the fact that your student saved these little jewels must make you very proud of the impact you’ve had on their wonderfully twisted minds. Bravo!

Hugs from CT,
Fran

Comment from Lee McClain
Posted: May 22, 2008, 7:42 pm

You know you have a fan club when students are actually taking notes on what you say . . . word for word! They know creativity when they see it, that wonderful kind of thinking-on-your-feet, spur-of-the-moment stuff that pops out of your mouth and makes you a great colleague. Does this make you feel like a genius?

Write a comment