| Pre-Order— Ladies and Other Vicious Creatures |
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This is a signed chapbook limited to only 250 copies. Each copy contains a sampler CDR of songs by Lynch's band Ego Likeness (Dancing Ferret Discs), as well as some bonus spoken word material. It also features illustrations from artist Steven Archer. Now available for pre-order! |
| **Discounts** |
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| Upcoming Events |
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September
28-30
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| HorrorFind • August 10th-12th |
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Horrorfind is one of our favorite events of the year and we hope to see you there! We'll have a table in the dealer's room all weekend and we'll be hosting a release party for Audiovile and Ladies & Other Vicious Creatures party Saturday night. Don't miss out on meeting: John Edward Lawson, Matthew Warner, D. Harlan Wilson, Michael A. Arnzen & Donna Lynch |
| Bizarro Central |
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| Featured Author / Musician — Michael A. Arnzen |
| How did you come up with the idea for
Audiovile?
Around the same time, I was asked by the producer of the movie based on my work, called Exquisite Corpse, if I wanted to send him something for the "extras" part of the DVD. I thought recording a recitation of a few pieces would be a natural thing to do, so I gave it whirl. But once I started, hamming up the voices like I always do at a fiction reading, I found that the words alone just wasn't enough, so I started adding sound effects... and the next thing I knew, I was pulling a bunch of old musical instruments out of the closet (years ago, I played bass guitar in a few garage bands and my wife had a dusty old keyboard; there were lots of little noisemakers I found in the closet...) and I used them to fill out the sound in creepy and artful ways. Some of the tracks do seem to take on a life of their own, over and above the original written pieces. Were you surprised by the way any of them turned out?
Do you see any similarities between the composing process and the writing process? I always write with the idea that I might read the story aloud some day at a public performance and I often can be seen mumbling to myself when I'm typing at the keyboard. My makeshift background in poetry has always allowed me to explore the musical side of writing, as well. So I'm sure I drew on my writing strategies as I fumbled around trying to figure out how to shape a "song" around a story. But this focused recording experience has really opened my ears to the subtle ways that music and sound undergird stories and I've become even more flexible and excited about the implied voice and pace of my writing. Things like song structure, sound juxtaposition, and just BEAT have given me more conscious ways of thinking about what it is I'm doing when I'm composing a story, and I'd like to think it's leading to improvements in my style, if not just more experiments with form, and, ultimately, a lot of fun. Audiovile is supposed to be creepy and dark and bizarro all the way... but it's also just plain fun. And as I return to focus more on my next writing project, I've found that I can't stop having fun with what otherwise might be called "work." I hope listeners and readers will have fun with it, too. If folks reading this haven't heard the free samples from Audiovile yet, I invite them over to the party at http://www.myspace.com/arnzen And there's an Audiovile promotion contest going on for subscribers to The Goreletter this month that might be fun for people, too (heck, they could even win a free deck of Play Dead playing cards!). It's free to sign up at http://www.gorelets.com |
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