Creative Horror by Michael A. Arnzen 

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“Scary Things”: An Address to the Class of 2011

“Scary Things”

Professor of the Year Acceptance Speech
by Michael A. Arnzen
Seton Hill University
Honor’s Convocation

Friday, May 13, 2011

President Boyle, Provost Gawelek, distinguished members of the stage, cherished faculty colleagues, dear staff, close friends and — most importantly — future alumnae of Seton Hill University…I thank you all for this dubious honor. I also want to thank two other major figures in my life, without whom I would not be here today: first, my wife, Renate, who chose to move from Germany to America just to be with me in 1987 and has been more supportive of my work than my very own backbone ever since. And secondly, I have to thank that special group of people who have always been there for me, giving me everything I ever needed during my entire career, and that would be the Starbucks Coffee Company.

But seriously, again, I thank all of you for this significant award and I will gladly accept it, but only on behalf of all the faculty gathered in this room, for each and every one of us is a Professor of the Year, to someone in our own special way. It isn’t fair that I am singled out when so many at Seton Hill work so tirelessly to contribute to your education, so I would ask everyone assembled to take a moment to think about a specific teacher (or colleague) who made a difference in your life this year, and I ask you to applaud those professors of the year right now.

Today is very special to me. Not only because of this honor, which is great, but because it’s Friday the 13th and everyone is dressed in black. Now if only you were all wearing hockey masks, too…then it would be perfect.

You’ve been here at Seton Hill for four long years. I’m sure you’ve loved it for the most part, and you probably can’t believe it’s finally over. But it’s also been hard. Just a few days ago you were probably wondering if the madness would ever end. There may have been days when you felt trapped, isolated, homesick and scared. Now, tomorrow you will be set free. We’ll still be here, but you’ll be gone, and the place will seem empty without you. No, not empty. Haunted. So I wrote a poem for you. It’s called…

The Hotel La Setonia

[Watch this recited on YouTube]

On a dark Lincoln Highway,
cool wind in my hair
Warm smell of Velveeta,
rising up through the air

Up ahead in the distance,
I saw a sycamore hill
My head grew heavy as I approached Admin,
then my heart stopped with a chill.

A griffin stood in the doorway;
I heard that weird grandfather clock’s bell.
And I was thinking to myself:
is that lion or eagle poop that I smell?

Then he lit up an ipad
and he showed me the way.
There were voices down the corridor,
thought I heard them say:

Welcome to the Hotel La Setonia.
We wear a cap and gown.
But the fun stuff’s downtown.
There’s not much room at the Hotel La Setonia.
Now’s “your chance to shine,”
if you can park in time.

The mascot’s smile was twisted
up inside of his beak
with lots of pretty, pretty teeth…
you know, it’s really kind of a freak.

And then we walked toward McKenna
sweet Griffin sweat.
Pot holes to remember;
mud lots to forget.

I called out to the students,
“Fear nothing but a closed mind!”
But Griff said, “we haven’t used that slogan here
since Two Thousand and Nine.”

And still those voices are calling from far away,
They wake you up in the middle of the night
pounding on Steinways, singing…

Welcome to the Hotel La Setonia.
Logging on is rare,
in the Griffin’s Lair
They’re livin’ it up at the Hotel La Setonia.
What a nice surprise,
breakfast with curly fries!

Workouts before the sunrise;
night classes run late.
And Griff said “we are all just prisoners here,
behind the GriffinGate.”

And in the Greensburg Room Annex,
they gathered for the feast.
They cut the budget with their steely knives,
but tuition’s still increased!

Last thing I remember, I was
“Hazarding Yet Forward”;
I had to find the passage back
to where I first met that weird pawed-bird

“Relax,” said the Griffin,
“We are programmed to achieve.
Grab a shuttle any time you like,
but you never can never leave!”

Here the griffin would play a fantastic twenty-minute guitar solo. But I promise to keep the rest of this speech a little shorter than that. And I probably should say a few more words, because I don’t want you to leave Seton Hill with the impression that I am the Weird Al Yankovich of Higher Learning.

Oh no, I’m much weirder than that. Many of you know I write and teach horror fiction, so I want to share a few thoughts and lessons gleaned from my lifelong study of dread and disease, as something resembling parting advice.

The first is a reiteration of that famous line from Saint Elizabeth Ann Seton: “Fear nothing but a closed mind.” I love this slogan. I wonder if she ever was audited by the IRS, but I really do love those words. It’s a great way to approach whatever it is you fear in your future after college. But more than that, we live in a world of scary things, where everything from terrorists to tornadoes threaten to topple our security. If you’ve been paying attention to the news, then you know that the 21st Century has so far been one big never-ending horror show. But the truth is that life is and always has been unpredictable and scary — the problem, I think, is that we’re just more aware of it than ever, receiving all of our technology streams. It’s easy to become hypersensitive to threats and respond with paranoia — or to be completely desensitized and react with zombie-like ennui. But fear is always the cause of closed-mindedness. You can’t let fear immobilize you. You combat it with reason, ingenuity, education and humor.

The phrase “ignorance is bliss” is a cop-out. An outright lie. Ignorance is a third grader behind the wheel of a car, blissfully barreling down the road during rush hour. The ignorant don’t know any better — and always learn their lessons the hard way. (This is what I write about). The good drivers aren’t just people above the age of three — they are the defensive ones, the ones who know how to predict where danger might lurk. But still they drive. That’s what the college motto, “hazard yet forward,” is all about. Make it your road sign on the journey of life.

I think people like horror stories because they help us navigate the hazards and keep us alert to things that might surprise us along the way. When people ask me, “Why do you write such scary stuff? You’re such a normal looking person,” I always answer “The real question is, why on earth do people read it?” But if you want to find the answer, go to the horror movies, and look at the audience. People cover their eyes with their hands during the scary parts, and peer between their fingers. We play peekaboo with this stuff. The phrase “I can’t believe my eyes” comes to mind. And that is the second lesson I have for you: Play peekaboo with the universe. You’ll learn a lot. But it will always only be a partial view. So don’t cover your eyes, but don’t ever believe your eyes either. At least not entirely.

What do I mean by that?

Magritte's "Son of Man"

Are you familiar with the surrealist painter Magritte? You might recognize his painting, Son of Man, which simply depicts a generic man in a gray suit wearing a bowler hat, with a large green apple strangely floating in the space in front of his face. When asked why he blocked out his subject’s face so weirdly, he said something simple but profound: “Everything we see hides another thing; we always want to see what is hidden by what we see.”

I love this. Because it relates so closely to both horror fiction and the quest of education: to look beyond the obvious. Horror is art and — with the exception of my terrible poem at the beginning of this speech — art is not a car accident that invites rubbernecking, which people always compare it to. Art asks us to boldly look and understand our world differently. That’s one of my missions as an author. I’m not saying you should all be a horror fan, but I do think you should pay more attention to art, even if it disturbs you. Because art is paying attention to things that the world chooses to ignore. We always are limited by our own perception, but art — especially the scary kind — allows us to see beyond the habitual worldview and the limits of our senses.

But artists are weird, I know. Weirdness will always make us uncomfortable. But you have to be courageous. Don’t fear the weirdness. Embrace it in others and in yourself. Hug your inner freak and kiss it on its fang-laden mouth. And give a firm handshake to the strange people in your life. You can always use hand sanitizer. It’s worth it because these strangers — no matter how scary they might seem at first — have lessons to teach you. If you are scared by someone who is different than you, who looks differently or acts differently, then that fear is a sign that you have a lot left to learn about them and everything they represent.

The truth is, everyone’s weird, but few have the courage to admit it. So to the class of 2011 I say: “COURAGE, WEIRDOS!”


Congratulations and Happy Friday the 13th.

Thank you to all my students and colleagues for daring to dub me “Professor of the Year” and giving me this fantastic honor (which includes a nice parking spot next year!). I loved giving the above speech and hearing the laughter.  The poem has a lot of inside jokes about the campus, but I was so happy everyone “got it” — especially all the parents in the room — and that the jokes didn’t bomb. Photos will be added as they come in.


Addenda:

Here’s the campus press release about the award.


Here’s a video of the poem from above, posted by my friend, photographer/designer Bruce Siskawicz:

 

formats

Weird Juice

Stabble
Fungalberry
Kiweird Cocktail
Poisonberry
Phlegmonaid (With Extra Pulp)

Embalmigranate
Bashin’ Berry
Scabapple
Scrape Juice
Angerine

Spineapple
Strango
Slaughtermelon Smoothie
Crampelope
Slimeade

Neck Nectar
Horrange
Slitrus Lime
Gaspberry
Upchuck Cherry

Slopical Punch
Scarfruit
Granbury
Scarrot
Leech

formats

TWEET AT THE DEVIL

He’s the geek screaming lonely in the night
‘Cuz he can’t reload the pa-ay-age

He’s the tear in your eye
When you lose your Wi-Fi
He’s the hash in your tag
He’s faved

And he’s the fantasy wife
That’s wasting your life
And spamming you to the ground

But on the pages of Twitter
We’ll type and deliver
Be short. And waste time…

Tweet! Tweet! Tweet!
Tweet at the Devil!
Tweet! Tweet! Tweet!
Tweet at the Devil!

He’s the follower you hate
And you won’t reciprocate
But he will not be ignore-or-ored

He follows you to the grave
When you lie on Friday
That you’re friends forevermore

And every single link
Is an URL that has been shrinked
That only sends you to his store

But on the pages of Twitter
We’ll type and deliver
Be short. And waste time…

Tweet! Tweet! Tweet!
Tweet at the Devil!
Tweet! Tweet! Tweet!
Tweet at the Devil!

[Retweet Chorus x 12]

formats

Don’t Stop Bleeding

Just a vampire girl
Livin’ in a zombie world
She took the midnight train
Goin’ anywhere

Just a city boy
Dead and raised in south Detroit
He took a bite of brain
Goin’ anywhere

Find a human in a smoky room
The smell of blood and cheap perfume
For a lifetime they can share the night
It goes on and on and on and on

Strangers shuffling
Up and down the boulevard
Shadows searching
In the night
Undead people
Living just to find emotion
Feasting somewhere
In the night

Slurping hearts till the lust’s fulfilled
Everybody’s out to kill
Doin’ anything to feel the vice
just one more time

Some are green, some are blue
Some have mouths that cannot chew
Oh, the horror movie never ends
It goes on and on and on and on

Strangers shuffling
Up and down the boulevard
Shadows searching
In the night
Undead people
Living just to find emotion
Feasting somewhere
In the night

Don’t stop
Bleeding
Hold on to that feeding
Undead
People
Oh-oh-ooooh

Don’t stop
Bleeding
Hold on to that feeding
Undead
People
Oh-oh-ooooh

formats

Return of the Son of Pride and Prejudice and Zombies

Cthulhu the Obscure
A Connecticut Devil in King Arthur’s Inferno
The Golden Bowl of Blood
The Isle of Dr. Moreau and Mr. Hyde
As I Lay Resurrecting
Creature from the Walden Pond
Of Mice and Tentacles
A Midsummer Night’s Scream
Jane Weyrewolf
Oedipus Rex: The Boy With the X-Ray Eyes
Uncle Tom’s Cannibal Cabin
A Poison Clockwork Orange
Rabid Animal Farm
Lord of the Giant Flies
Clone King Richard the Thirtieth
A Morgue of One’s Own

**
With irreverence for: Quirk Classics.

[Update: The literati among you might also appreciate this essay at the 'Jane Austen's World' blog.]

formats

Classic Car Accident Ad Slogans

Have You Driven A F*rd Over A Stroller Lately?
This Is Your Late Father’s *ldsmobile.
V*lvo. For Life Support.
Killt F*rd Slough.
Ch*vy. The Last Heartbeat of America.
Chummer — Like Nothing Else!
Ponti*c. We Are Driving Excrement.
Grab Life By The Horns. That Won’t Stop Honking.
Sa*b. Move Your Mind. Off My Lap.
B*W. The Ultimate Chicken Machine.
V*lkswagon. Drivers Haunted.
Juice in Engineering. *udi.
C*dillac. When You Turn Your Car Off, Does It Return The Favor?
Unlike Any Other. Mortcedez Endz.
B*ick. Drive Beautiful. Into Crowds.
The All New Ch*vy. Built to Last Breath.
H*nda. The Power Of Screams.
S*turn. Like Always. Like Never Before. Like Rotten Haggis.
L*coln. Reach Higher. We’re Sinking.
I Hate What You Did To Me — T*yota!
Tahrvernoggin!

formats

Rejected Wack-ee Packages

PRODUCT NAME: Toast Tito’s Corn Chips
ARTWORK: Corn Chip Bag brimming with crisped brown foot ailments.
REASON FOR REJECTION: Too sick, even for us. The pictured dip is…worse.

PRODUCT NAME: Axe Devitalizing Shower Gel
ARTWORK: “Psycho” shower scene with axe-wielding maniac in silhouette behind a curtain.
REASON FOR REJECTION: This is more an idea than a product parody.
Besides, Axe is for men, and the sudsy nude in the shower is cleary female.

PRODUCT NAME: BloodGeyser
ARTWORK: Brown bottle spraying blood from top.
REASON FOR REJECTION: Not bad, but pun is too easy.
It would help if the bottle wasn’t jaggedly broken in half
and embedded into Smokey the Bear’s chest. (Huh? Yellowstone, maybe…?)

PRODUCT NAME: Ball Park Frank
ARTWORK: Puffy male head, carrots, and bones bobbing in cannibal pot…along with hot dogs.
Caption reads “He plumps when you cook him.”
REASON FOR REJECTION: Getting close. But I see no reference to a “Ball Park”…wait…there’s a baseball cap, filled with…scalp? Ugh. We can’t print this.

PRODUCT NAME: Neumann’s Own Dressing
ARTWORK: Soiled gauze. Literally. A used bandage.
REASON FOR REJECTION: This is biomedical waste, not art.

PRODUCT NAME: Killette! The Blood a Man Can Jet!
ARTWORK: Silver razor embedded in a blood-spraying throat.
REASON FOR REJECTION: Close again…but another blood spray?! Lame. Besides, everyone knows that disposable razors aren’t straight razors.

PRODUCT NAME: Drunken Donuts
ARTWORK: Chubby moustachioed maniac pulls a hacksaw through a wino’s leg. The oblivious wino drinks from paper bagged bottle. Caption reads: “Time to make the donuts, Daddy!”
REASON FOR REJECTION: We’ve done this one before (xref the ‘lost 1992 series’)…only in a much more palatable way.

PRODUCT NAME: Wonder Head
ARTWORK: Human head, pre-sliced, wrapped tight in white plastic. “Fortified with 666 essential sinerals.”
REASON FOR REJECTION: What the hell is this? “Sinerals?”
Is that the president’s face behind the plastic?
Why the fake beard?

PRODUCT NAME: Wack-ee Package
ARTWORK: Square chrome object on shiny silver paper — a machete glinting in a mirror?
REASON FOR REJECTION: I don’t get….

***

[ Note: My "Wack-ee" Packages are not to be confused with authentic Topps brand Wacky Packages. Visit their web site for fun online games and samples...and you'll even find a link to buy their awesome new coffeetable art book (comes in waxpaper wrap!)  Also drop by WackyPackages.Org for more parody-loving bubble gum-smelling Wacky Fandom than you could possible handle. ].

formats

Grim Henzen Productions

Wormit the Legless Frog
Everybody’s lovable green buddy crawls back from the grave on his two lanky arms, his backside grotesquely tapered much like the tadpole he once was. He haunts the parking lots of French restaurants…and in his nasal-congested voice cries out for “leggggsss!” He leaves a snotty trail behind him. He is frequently run over by cars.

Googee Monster
He chaotically throws fistfuls of cookies into his mouth, munching wildly, growling “Gooooogeeee.” Sometimes you can see his razor-sharp teeth cutting into his own bloody gums. And sometimes you see human fingers jumbling in the mouth fuzz, and they’re not the puppeteer’s.

Clownt von Clownt
Combining the worst elements of a vampire and a clown, Clownt von Clownt’s lofty domed forehead broods above the eyes and mouth painted not with grease but with the blood of the innocent. But he is tortured with immortal irony. He loads the chambers of his revolver with five blanks and one live round, playing Russian Roulette in front of the camera. “Uh-one,” click. “Uh-two,” click! “Uh-three…,” BAM! And the pointy teeth go flying.

Big Dead Bird
His yellow feathers are fading and falling out. Patches of death-pale gooseflesh are visible everywhere. But worse: large earthworms writhe in his Big Rib Cage. His enormous eyes are always closed. He smells. Badly. The children avoid him.

Shuffleupeatus
This shy wooly mammoth is oh so cute…and everyone thinks he’s just Big Dead Bird’s imaginary friend, until he shuffles up within trunk-grabbing distance of you. His trunk is always larger than the children calculate. He teaches them how to count with each determined mash of their bones between his perfect, poisonous tusks. They never really get past three.

Burnie and Dirt
Burnie died in the apartment building fire, but now he’s back from the grave along with his old pal Dirt, his old roommate, who he now carries around in a funerary urn. Dirt perpetually reminds Burnie that the fire was all his fault and that he warned him and he should have listened…when he’s not otherwise whining about having to share his urn with Rubber Duckie. Together they roam the streets, forever homeless, seeking a bathtub.

Scar the Grump
There’s nothing but scabrous tissue where you thought you’d see lips. He’s still a grouch, but at least his nonstop complaining is less annoying, all mumbles and muffled screams behind that stretchy scab where his mouth should have been. His trashcan abode bears the placard for biomedical waste.

Smellmo
No one wants to tickle this stinky scab-colored creature (especially not in those nasty underarms), but that doesn’t stop this monstrosity from sitting in the alleyway, tickling himself in the dark shadows, chortling with perverse glee.

O-ver
This skinny blue corpse dons his grim reaper cowl and scythe. He has come back to the Street, with a lesson to teach the little ones….

***
Related Viewing:
Tickle Me Emo

formats

13 Furnishings You’ll NEVER Find at IKEA

BAGEMUP
Mob Hit Throw Rug with Latex Backing

GNUCKS
Knucklebone Beaded Curtain

HOOGAFLOOF
Neck Pillow Stuffed with Ukrainian Owl Eyes

NOZZOIKS
Teflon Glove for Throwing Electric Chair Switches

JYMJONZ
Paper Cup Dispenser

SMEGMAR
Bordello Mattress Liner

STYNXEE
Swedish Pine Urinal Disc

SLAZISUZI
Saw Blade Turntable Appetizer Tray

BRANZ
Chrome Cannibal Serving Bowl with Designer Drip Saucer

OFFTAPOTTER
Stuffed Otter’s Head Toilet Brush

LILCOUGHIN
Children’s Storage Unit

BETIPAJ
Beechwood Rotating Whip Rack with Emergency First Aid Kit

BLUGH:
Envelope Moistener/Spittoon

***
Related Reading
The Store: http://www.ikea.com
The IKEA Name Generator: http://www.minimarketing.it/ikea_gen.htm
Where IKEA Gets the Names: http://tinyurl.com/2lx9ga and http://tinyurl.com/ob5v
The IKEA Game: http://www.iamcal.com/games/ikea/
How to Survive IKEA by Matthew Baldwin: http://www.themorningnews.org/archives/how_to/the_nonexpert_ikea.php

formats

A Dead Wheelbarrow

Richard Ristow just completed a spectacular literary analysis of a recent “Gorelets” poem, “The Fall Down the Stairs of the House of Usher,” on his excellent weblog, Damned Critic. In it, he compares my style in that unpleasant poem to the imagism of writer William Carlos Williams, to show how much WCW has made an impact on free verse poetry. In the process, I think he uncovers some of the secrets behind what makes a “gorelet” poem tick. Amazing!

“Arnzen vs. William Carlos Williams” by Richard Ristow
In two parts: Part 1 and Part 2

So much depends
on a head in-
jury

Galumping down
the stair
well.

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