Michael Arnzen's Notebook on the Strange in Everyday Life 

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Animated Weeds and Supernatural Pesticides

Lawncare season is in full bloom, if the television is any indication. More and more, I’ve been noticing advertisements for riding mowers, hedge trimmers, and all sorts of products targeting the green thumb. But one popular subgenre of these gardening ads have been employing the medium in a way that is undeniably uncanny: commercials for

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You Are What You Urn

England’s Telegraph is running a “Best Pictures of The Year” gallery to wrap up 2009…and with images like the above from the “Weird Inventions” gallery — or even from their other bizarre and weird and spectacular galleries — one can only marvel over what a strange year it’s been…and how remarkably stranger it is going

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The Uncanny Design of Robot Heads

While theories of the “uncanny valley” are debatable (see Hanson’s “Upending the Uncanny Valley” (.pdf)), the quest for human-like androids and automatons continue to compel their designers. At Carnegie-Mellon University’s anthropomorphism.org, I found an interesting early study of robot head design that shows how these designers sometimes make choices about when to make robots anthropomorphic

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The New Uncanny: Tales of Unease — A Class Review

I am currently teaching an online horror literature course in “Psychos and the Psyche” for graduate students in our MFA in Writing Popular Fiction program at Seton Hill University. This month we are studying Freud’s article on “Das Unheimlich” and reading a fascinating new anthology of horror fiction called The New Uncanny: Tales of Unease,

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The Vytorin Double: You Are What You Eat and You Eat What You Are

Vytorin is a single pill — a drug that combines two different medicines (Zetia and Zocor) to combat the two kinds of cholesterol (generally called “good” and “bad” cholesterol”) which they identify as coming from two different sources (“food & family”). As Time magazine reports, there may be truth in these claims, and also problems

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Andrew Huang’s Uncanny Videos

I thank my colleagues at Seton Hill University, Laura Patterson and Maureen Vissat, for recently passing along a YouTube link to “Doll Face” by Andrew Huang. It’s a brilliant treatment of the relationship between media technology and gender identity, using uncanny structures like automatism and the compulsion to repeat to deliver its message. The video

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